The Great Wave of Kanagawa


An Icon of Japanese Art meets Austrian Piano Craftsmanship

Homage to a unique Japanese Masterpiece


from Katsushika Hokusai
Mediator between Worlds

From Hokusai's series Thirty-six Views of Mount Fuji, The Great Wave off Kanagawa (Kanagawa-oki Nami Ura) is arguably the most famous Japanese artwork. Commonly known as The Great Wave, it inspired a whole generation of painters such as Claude Monet, Vincent van Gogh, Camille Claudel and Gustav Klimt, as well as writers and composers such as Giacomo Puccini with his opera Madame Butterfly or Claude Debussy with his score La Mer. 

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Various copies of the original print can be found in collections around the world, including the Tokyo National Museum, the British Museum in London, the Metropolitan Museum of Art in New York and the Rijksmuseum in Amsterdam. The Great Wave is ubiquitous, adorning innumerable products. In Japan itself it appears on both the Japanese passport and the 1000 yen banknote. It even exists as an emoji, sealing its cult status as a piece of popular art.

The first grand piano at the Japanese imperial court – a Bösendorfer


After the opening of Japan to the West in the middle of the 19th century, a Bösendorfer grand piano traveled from Austria to Japan, reaching the Japanese imperial court in 1869. Bösendorfer had already been suppliers of the pianoforte to the Austrian imperial court by royal appointment since 1839. This Bösendorfer grand piano was among the precious gifts sent by Austro-Hungarian Emperor Franz Joseph I to the Japanese Emperor Meiji. It was the first such instrument to arrive at the Japanese court, and hence the first time in his life that the Tenno heard the sound of a grand piano. This magical encounter would spark Japan's interest in Western music, and marked the beginning of an intense cultural exchange between Japan and Austria – one which has continued to this day.

A Master of “Pictures of the Floating World”


Katsushika Hokusai's genius is evident in his sophisticated technique, his mastery of composition and understanding of the natural world. His work The Great Wave off Kanagawa (Kanagawa oki nami ura) was the culmination of his 30-year-long preoccupation with the theme of the wave. The drama of the scene with its thrilling composition and elegant stylisation is unsurpassed. In this work of art, Hokusai blends tradition and innovation, combining the age-old Japanese woodblock printing technique with Prussian blue, a pigment imported from Germany and scarcely available in Japan at the time. With its remarkable intensity of colour, this new fade-resistant blue significantly enhances the dramatic effect of the waves.

Hokusai learnt the craft of woodcutting in his youth. As paintings were practically unaffordable in Japan, the printing technique of the woodcut offered an affordable alternative, enabling the so-called Pictures of the Floating World (ukiyo-e) to achieve unparalleled distribution and popularity. Pursuing his great passion for painting, Hokusai studied under various masters, familiarised himself with Dutch landscape painting and acquired an extraordinary knowledge of European central and linear perspective. With his astute observations and affectionate nod to everyday lives, Hokusai depicted almost the entire range of life in  Japan over the course of his career. Today, he is considered one of the most important cultural mediators between Japan and the Western world. Hokusai created around 30,000 works of art and his sketches are regarded as the forerunners of today's manga, the Japanese comics.

The Bösendorfer Collector's Item Grand Piano
The Great Wave off Kanagawa



We have carefully scaled up the artwork The Great Wave to the size of the piano lid, and transferred the motif to the underside of the lid using a special printing process. Continuing the colour theme, variants of Prussian blue decorate the inner rim of the piano and the upholstery of the piano bench. 

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The red of the cast iron frame and Hokusai's signature on the music stand reflect the particular significance of the colour red in Japanese culture. Red symbolises the sun and is also seen as the colour of protection. It is often used for traditional Japanese gates, known as torii, to ensure the flow of positive energy. The torii, which consist of two posts and a double crossbar, stand in front of shrines and temples to represent the transition from the everyday to the spiritual world.

The interaction of the colours blue and red creates a dynamic tension, representative of the interplay between intensity and harmony, activity and calm.

 

The Collector’s Item grand piano in size 214VC is limited to 16 instruments worldwide. This number references the Kiku no gomon seal of the Japanese Imperial Court, a stylized chrysanthemum with 16 petals. Each individual instrument features an individually numbered plaque.

The Bösendorfer grand piano The Great Wave off Kanagawa is our homage to a unique Japanese masterpiece. The image is as timeless – and intuitively relatable to – as music itself. It vividly illustrates the complex relationship between nature and humankind, and the immense importance of cross-cultural exchange. It is in the understanding of one another’s uniqueness, that we achieve both mutual inspiration and personal development, ultimately benefitting us all.

Bösendorfer Grand Pino 214VC
 

214 cm
151 cm
102 cm
214 cm
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Resonance Case Principle
Details
Very similar in principle to a violin the whole body - not exclusively the soundboard - supports sound formation. The actual core of the piano rim consists of a 10 mm quarter-sawn piece that is specially grooved by our craftsmen to allow it to be bent to the silhouette around the inner rim. This is unique to Bösendorfer. When a note is played, the integrated spruce components become acoustically active, forming a complete resonating body that allows the whole instrument to project your play. An outstanding richness of tone colour and our legendary pure and brilliant sound is crafted this way. This complex construction is part of the Viennese tradition of piano making.
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From delicate pianissimo to splendid fortissimo
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A Bösendorfer Grand shows optimal controllability. Developed in cooperation with artists and technicians our action is crafted to our own, refined specification. This action is built to transfer the finest articulation of masterful play. Controllability at play.
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Unique bass strings
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All bass strings are spun in our unique Bösendorfer way. A steel core string is the basis for 1 or two layers of copper. The carefully spun strings are a substantial element of the warm and sonorous Bösendorfer bass
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Independent Capo d’Astro
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Bösendorfer is the only piano manufacturer that applies a detachable and independent Capo d’Astro in the upper register. This is how we assure an utmost precise adjustment in the upper register guaranteeing the original Bösendorfer Sound for generations: Unique sound for more than one generation.
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Traditional Sand Cast
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We are using the traditional sand casting to forge our frame. Our raw frames, produced in Austria, rest 6 months outside the factory. This is how all inner strain of the forging process are released allowing the frame to remain relaxed under 20 tons of string tension. Pure stability.
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Open pinblock
Details
Tonal stability at its best: Our open pinblock consists out of 3 layers of 7mm quarter sawn maple, glued cross-grained to each other. Settled on a base of red beech this construction offers a firm basis for the pins tied with strings. The top layer is refined with a 1.5mm walnut veneer. Our open pin block: a sound basis indeed.
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Nature
Details
The basis of each Bösendorfer Grand is spruce that is naturally dried by air and has proven to be the ideal tone wood. The four seasons, sun, wind and wide temperature differences gently prepare this wood for its final purpose: to resonate. At Bösendorfer we use more than 80% of spruce tone wood building our instruments, more than any other manufacturer. When you add the natural drying process to our manufacturing time, it actually takes 6 years until the Bösendorfer Grand arrives at your doorstep. Precious time, necessary to craft the unique Bösendorfer Sound.
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Made in Austria
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Bösendorfer Grands are not just an object of investment but of value that will last more than one generation. Our skilled Bösendorfer Artisans reveal the inner beauty of the Bösendorfer sound, unique in colour, dynamics and expression. Perfected throughout generations. It takes the dedication of our Bösendorfer Artisans for up to a year to build your Bösendorfer Grand. A personal touch that you will sense the moment you play. Austrian quality, Viennese soul.
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Vienna Concert
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Brilliant colours, energetic dynamics and a unique mechanical action: the new Vienna Concert technology is the sound for the next generation.
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Collector's Item
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A tribute to precious materials, breath-taking aesthetics and master craftsmanship. Unique in design, sound and perfection: our Bösendorfer Collector's Edition. Exclusivity for the eye.
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Disklavier Edition
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Listen to the grand works of great masters of piano music without lifting one single finger. After all, every pianist deserves a break. The Bösendorfer Disklavier Edition will surprise you by playing back any performance with ultimate precision and refinement. Listen to Rachmaninoff playing his own works, wonder about the mystical interpretations of Arthur Rubinstein, groove to Oscar Peterson’s tunes: Our Bösendorfer Disklavier Edition comes with more than 1.000 recordings of different styles and genres. We apply the most sophisticated system there is, the Disklavier Enspire player technology developed by Yamaha. Pianists cannot only enjoy listing to a library of performances but immediately record and play back their very own music.
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Silent Edition
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This sound miracle can also be enjoyed in the middle of the night with the Bösendorfer Silent Edition. We only use the state of the art Yamaha Silent SH System which does not alter mechanical nor acoustic qualities in the slightest. Musical inspiration, acoustic and digital in nature: glistening sound waves oscillating in two worlds.
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Grand Piano
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Uncompromising traditional handcrafting, beauty and the Viennese soul. Made in Austria for close to two centuries, since 1828. The sole limitation of your Bösendorfer Grand is its surrounding. Everything else is taken care of by us. Our instruments will unveil the fine nuances of the music you play - key by key, yet unseen and unheard.

Product changes reserved. Photos of products, colours and veneer patterns shown serve as sample. The actual colour of the selected materials may differ.

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